““Social Fabric”: Photography, Solar Atmospheres, and a Process Ontology, Sonne München, 1994”
Art Journal 80, no. 1 (Spring 2021): 84–106.
“Wolfgang Tillmans’s Abstract Mediations and Other Ecologies,” Afterimage: The Journal of Media Arts and Cultural Criticism (University of California Press), 48, no. 2 (June 2021): 109–130.
Book manuscript in process
Self-Sufficiency, Becoming: Art, Technology, and Other Ecologies in the Work of Wolfgang Tillmans.
Invited essays in books
“On Not Planet Earth and the Weather,” in The Ocean. Edited by Axel Wieder. Berlin: Sternberg Press (forthcoming 2022).
“Magical Works, Grey Ecologies and Affect: On Complement for Company (skyline and sky)” in Writing Images. Conversations on Photography. With Susanne M. Winterling. Edited by Antonio Cataldo. Berlin: Kehrer Verlag, 2021, 239–249.
“Invisible Processes. The Production of the New in the Work of Ane Mette Hol,” in Becoming. Edited by Franz Thalmair, exh. cat. mumok–Museum moderner Kunst Stiftung Ludwig Wien (forthcoming, July 2021).
“Troubling Style,” in One Plus One . STANDARD (OSLO), 2021.
“Bodily Transformations” in New Scandinavian Photography, eds. Bjarne Bare and Behzad Farazollahi. London: Black Dog Publishing, 2015.
“Oslo, Norge: En Samtal om Bilder,” in Fra Terror till Overvåking, Liv Hausken, Trine Haagensen, and Sara R. Yazdani (eds.) Oslo: Vidarforlaget, 2014.
”The Portrait in Art” in Portaits by Waiters, ed. Sveinn Fannar Jóhannsson. Oslo: Multinational Enterprise, 2014.
Essays in art journals
“Toxic Environments, Sensitivities and Planetary Times: A Conversation with Susanne M. Winterling,” Mousse Magazine, August 2018.
“Introduction: Cyborgs, the Poetic and Political: Notes on Iranian Cinema,” Wuxia. Special Issue: Iranian Film and Art, eds. Sara R. Yazdani and Kaveh Tehrani, no. 1-2, 2018.
“New Forms of Life: The Physicality and Poetics of Pictures,” with Susanne M. Winterling, Objektiv. Tidskrift for kamerabasert kunst, 2015.
“Privata ögonblick: kropp och intimitet i Lina Scheynius fotografier,” Objektiv. Tidsskrift for kamerabasert kunst, 2014.
“Photography, Fungi and Social Ontologies: Wolfgang Tillmans’ Neue Welt“, British Computer Society: Special Issue: Politics of the Machine: Art and After, Bind EVA Copenhagen (Electronic Workshops in Computing), 2018. Conference proceeding.
Wuxia. Special Issue: Iranian Film and Art, no. 1-2, 2018. With Kaveh Tehrani.
Thinking Media Aesthetics, ed. Liv Hausken. Berlin: Peter Lang, 2013.
“Alpha Crucis – Contemporary African Art,” Flash Art 331, Summer issue, June-July 2020.
“Ann Cathrin November Høibo “Hvis verden spør, så er svaret nei,”” Flash Art (May 2020).
“Beyond the Individual: “Expanded Sculpture” and the Social at the Academy of Fine Art, Oslo,” Art & Education (Artforum and e-flux) (May 2019).
“Messy Ecologies,” Kunstkritikk (December 2018).
“Sandra Mujinga,” Artforum International (July 2018).
“Matias Faldbakken,” Artforum International (December 2017).
“Karl Larsson,” Artforum International (April 2017).
“Benjamin Crotty,” Artforum International (January 2017)
”Wolfgang Tillmans,” Artforum International (May 2016).
“Art Belongs to Those Who See It,” Artforum International (February 2016)
“Eloquent Materials”, Kunstkritikk (September 2016).
“Digital Flows”, Kunstkritikk (February 2016).
“En Taktil Värld,” Kunstkritikk (March 2015)
“Organiska Medier,” Kunstkritikk (February 2015)
“Objekets Sosiala Process,” Kunstkritikk (January 2015)
”The Sculptural Body,” The Plantation Journal (July 2014)
suddenly gave the effect of sunlight. With works by John Cage, Susanne M. Winterling, Kamilla Langeland, Nora Joung, and Ignas Krunglevicius. Galleri MELK, March-April 2019. Funded by the Norwegian Arts Council.
The Pleasure and Politics of Looking. With Maria Moseng, Sara Eliassen and Sara Orning.
Symposium and Screening Program. March 2015. UKS and Cinemateket, Oslo.
Abbas Kiarostami’s Koker Trilogy. With Kaveh Tehrani. October 2016, Louise Dany, Oslo.
Diademseeigel Immersion Prototyp (Diadem Sea Urchin Immersion Prototyp). Works by Susanne M. Winterling, Camera Movement #17, Fotogalleriet. August-September, 2017.
Sedimentality. Works by Linn Pederssen. Galleri MELK, November 2013.
2021 Media Aesthetics Research Grants for Norwegian Research Council Overseas Research Grants.
2019 Faculty of Humanities, University of Oslo, Dissertation Completion Fellowship.
2015–2019 Faculty of Humanities, University of Oslo, PhD Fellowship.
2016 Faculty of Humanities, University of Oslo, Overseas Research Grant.
Symposiums and conferences organised
“Parallel Ecologies: A Symposium on Art, Media Technologies and Environments.” Key note speakers: Jennifer Gabrys, Ina Blom, artist Susanne M. Winterling, Stefanie Hessler, Ursula Münster and Synne Bull. June 24, 2021. K
“These are Situationist Times: A Symposium on Topology, Culture and Politics.” With Ellef Prestsæther and Karin Nygård. Symposium. 28 January, 2017, University of Oslo and Kunsthall Oslo. Keynote Speakers: Matthew Fuller, Goldsmiths University, Eric C. H. de Bruyn, University of Leiden, Jacqueline de Jong and Tiziana Terranova, University of Naples ‘L’Orientale’.
“Networks, Topologies, Aesthetics.” PhD Course, 27-28 January 2017. Department of Philosophy, Classics, History of Art and Ideas and Media Aesthetics, University of Oslo.
“The Human Body as Generic Form. On Anthropomorphism in Media.”
Keynote lecture and workshop with Gertrude Koch.
April 28-29. Media Aesthetics and Seminar of Aesthetics, University of Oslo.
“On Posthumanism.” Workshop, February 5, 2016, Media Aesthetics, University of Oslo.
Imag(in)ing Technologies. Symposium. Keynote speakers: Siegfried Zielinski, Patricia Pisters and Matthias Bruhn. December 3, 2015, Media Aesthetics, University of Oslo.